.OSALEJAD / participants .....PRESSITEADE.....täpnePROGRAMM/precisePROGRAM
14. 10. Academia Non Grata, Suur-Posti 16,
kl 12.00 - 17.00 o'clock Pärnu Avatud Noortekeskus Che, Metsa 16, Pärnu.
Filmi- ja Videoprogramm:
15.10.2005 PÄRNU RENT CLUB Uus tn/Str 10
14.15 - HUMAN RIGHTS REGIONAL
LEE Mario (S-Korea) <Rip it up!>, 2001 Duration : 45m
15.00 - RAIVO KELOMEES PRESENTS: TARTU KÕRGEM KUNSTIKOOL / TARTU ART COLLEGE 2005
15.40 - INTERNATIONAL PERFORMANCE SOUP
17.20 - INTERNATIONAL VIDEO PODRRIDGE
19.00 - Piret Saarepuu presents: EESTI NUKUFILM / ESTONIAN PUPPET ANIMATION - Piksillatsioon
19.30 - JELENA VESIC (SERBIA) PRESENTS: AV-WORLD OF BALKAN
20.30 - Kino Kabaret
22.00 - Sauna + Antanas Jasenka live-concert + "Boarding Pass" Electronic music consists from two
parts: Out In and In Out. Music: Antanas Jasenka Animation: Dziugas Katinas
16. oktoober kl 15.00
21.00 Tallinna Kinomaja
12.00 - Väljub buss Pärnust Tallinna - pilet 25 eeku / Charter bus form Pärnu to Tallinn 14.45 - Opening performance by Don Chaos (Berlin)
15.00 - EUROPACINEMA AWARD FOR THE BEST DOCUMENTARY RESIST Karin Kaper & Dirk Souzies (germany)
16.30 - Mike Froidlalias Don Chaos 1992 2000 (germany) Don Chaos Adventures in Spain, China and Bavaria
17.15 - REGIONAL GENDER + AJURÜNNAK --SUGUPOOL KINOLINAL-- / BRAINSTORM -- SCREENED
18.30 - RAIVO KELOMEES PRESENTS: TARTU KÕRGEM KUNSTIKOOL / TARTU ART COLLEGE 2005
19.25 - HUMAN RIGHTS REGIONAL
AKKRAAK -film Susanne Dzeik & Kirsten Wagenschein (Brasil/Germany) ABOUT WALLS IN FAVELAS
20.30 - NONGRATA PRESENTS: ART OF THE INVISIBLES
EUROPACINEMA AWARD FOR THE BEST DOCUMENTARY RESIST Karin Kaper & Dirk Souzies (Saksamaa) ¶ QUEER FEMINISTS: RENATE LORENZ & KARIN MICHALSKI (SAKSAMAA) ¶AKKRAAK - film Susanne Dzeik & Kirsten Wagenschein (Brasiilia/Saksamaa human rights) ¶ JELENA VESIC (SERBIA) PRESENTS: AV-WORLD OF BALKAN ¶ Kim KANG PRESENTS: "Orient Settings"- video art from South Korea ¶ EESTI KUNSTIAKADEEMIA E-MEEDIA KESKUS¶ TARTU KÕRGEM KUNSTIKOOL ¶ MÜVESZWTI MEDIA MÜHELY (Ungari) ¶ Piret Saarepuu presents: EESTI NUKUFILM- Piksillatsioon ¶ Raivo Kelomees ¶ Don Chaos (berlin punk aikido) ¶ NONGRATA ¶ REMO RANDVER & VILLE-KAREL ¶ ANONYMOUS BOH ¶ yellow wolfman ¶ siram ¶ DZIUGAS KATINAS & Antanas Jasenka (LEEDU) ¶ BJÖRN FREDERKING (SAKSAMAA) ¶ ERNEST TRUELY (usa) ¶ KinoKabaret ANNA SCHENK, CONSTANZE BERSCHUCK, ARMIN MOBASSERI (berlin) ¶
¶ Festivali käigus saadaval Tiia
DVD soodushinnaga 100 krooni
EESTI KUNSTIAKADEEMIA E-MEEDIA KESKUS
"Kitarr. Naine. Mees. Lumi. Kirves. Varjud. Surm."
Riina Õun 2005
Heli: E- RIC
Osades: L, Hr. O, Lepp, Blonda, Aimee, Skisosiil, Mustmarker
lugu metsas. Lumises kuusikus pilli mängiva noormehe
kitarrihelide saatel hakkab toimuma nii mõndagi.
Isa Vergani & Alina Korsmik 2005
Gerli Liivamägi 2005
KESTVUS: 1, 54
lugu kahe noore suhetest. Kriitiline situatsioon.
Katrin Tees 2005
KESTVUS: 3, 00
Heli: Lionel Belasco "Miranda" Zero 7 "likufanele"
ja humoorikas visioon turismiteemadel
KESTVUS: 4, 58
Petra Mladkova (Tehhi) 2005
KESTVUS: 2, 00
teostatud lugu oma õnne otsivast mehest.
"Kuidas küll nii läks?"
Reimo Võsa Tangsoo 2005
KESTVUS: 02, 58
Heli: Minu isa oli ausus ise - Mesilase mumm
ja kingisaajad. Nende omavaheline suhestumine sotsia
Evelyn Toomistu 2005
inimese rämpsust toituvad linnud on kui tänavatel jõlkuvad
prükkarid, loodussanitarid või inimtegevuse ohvrid? Selle
üle tasuks mõelda.
RAIVO KELOMEES PRESENTS:
TARTU KÕRGEM KUNSTIKOOL 2005ca
Aeg, 0:56, 2004
Insomnia, 1:25, 2004
Feuer Frei, 3:00, 2004
for a dream, 2:20, 2004
Nimeta, 2:20, 2004Nimeta, 1.20, 2004
Happening, 2:24, 2004Aeg, 1:00, 2004
Nimeta, 1:29, 2004
Põleb, ei põle, 1:30, 2004
Hetked kunstniku elus, 1:30, 2004
TKK rektorile , 1:50, 2005
Lauringson Aive Kalmus
Uuriv ajakirjandus, 1:04, 2005
Tribuut Lilian Kosenkraniusele, 1:16, 2005
Liiklus, liiklus 1:32, 2005
Daydreaming 0:40, 2005
Kolgast Tartu, 1:21, 2005
La-la-laa, 1:17, 2005
Sa oled ilus, 3:51, 2005
Üks, kaks, kolm, 0:53, 2005
Võta, aga pane tagasi, 2:34, 2005
Hajevil, 1:20, 2005
Hints, Lea Tui, Tiit Joala
Muipoo 5:00, 2004
Elu kui rollercoaster, 0:50, 2005
Sein 0:55, 2004Popstar 1:20, 2005
Kõik on mixdown 2:23, 2004
Kärbes 0:40, 2004
Planet 0:46, 2004
I Was Prevented From Being a Popstar 1:20, 2005
Kõik on mixdown 2:23, 2004
VapperKotka ja Kätlin Arro
Hele Roosa 0:58, 2004
Reet 0:43, 2004
Our Daily Bread 0:44, 2004
Öösel Tartus 0:55, 2004
ja Kätlin Arro
Hele Roosa 0:58, 2004
Reet 0:43, 2004
Raskemeelsus 1:16, 2004
Nullkaadrid 1:25, 2004
Tabidus solis 1:12, 2004
Teel 1:56, 2004
Nimeta 3:25, 2004
Nimeta 1:34, 2004
2 0:44, 2004Nimeta 1:58, 2004
Autoportree 1:38, 2004
"Hetk" 2:00, 2004
Autoportree 1:38, 2004
Portree 0:26, 2004
1965-2002Selected videos 1990-1997V
1. 4 Elements, 1990/93, 7:26
2. Namebook, 1996,
4. Chaos, 1997, 0:45
5. I Clicked My Heart, 1997,
7. Lost Re
8. Black Sun, 1990/97,
Tiia Johannsoni (1965-2002)
kunstnikuelu on näide 20. sajandi kunstiaj
Tiia Johannsoni suhtumist netikeskkonda ja
oma projektidesse ilmestab iroonia ja distantseerumine
tehnofetsishistilikust meediakunstist. Tema narrivad
pöördumised vaataja poole, nagu "mine koju, mitte oma
koduleheküljele" ("go home, not to your
homepage"), "internet on meie maine paradiis"
("...the Internet is our paradise on earth...")
iseloomustavad kunstniku arvamust asjadest, mis on liiga
ületähtsustatud. 1990ndate lõpu internetivaimustus oli ju
taasleitud "kommunikatsiooniparadiis"! Netikunsti
irooniat võib leida terminites "pointless" ja
"interactiveless", mida ta kombineeris pe
Destinations/Suunad. DVD, 2005.Interactive videodiary Destinations is made according to the form
Destinations on koostatud lähtuv
"Ice Baby", 2003, 2:45
"The Birth of an Image", 2003, 10:44
KinoKabaret: ANNA SCHENK, CONSTANZE BERSCHUCK, ARMIN MOBASSERI (Saksamaa)
WORKSHOP, tulemused esitatakse festiv
AEG: K 12. R 14. oktoober iga
KOHT: Academia Non Grata, Suur-Posti 16, Pärnu
Töö käib inglise keeles.
Get up, get an idea, write your script,
shoot, edit, do the sound and fin
Following our motto Do well with nothing,
do better with little and do it right NOW!, we produce short
films under a common theme. Together we create works that may be
funny, sad, s
For this purpose we meet the first night at
the KinoLab, we present the theme and everybody gets to meet each
other. The morning after we meet again and brief our ideas or
offer our cooperation to each other. Then the teams start off,
The night of the second day we have the
audience gather in the screening room, while some of you will
still be editing and fin
After we want to party and think about a
Kino group in
Because: Kino is a worldwide movement, that
originated in Quebec, Canada, a few years ago, and in the
meanwhile exists in many places in North America, Africa, Europe
and it doesnt stop! The closer neighbors are:
We dont want to leave that field to the big production companies or media corporations!
So from the 12th to the 14th
of October the first KinoKabaret in
Dont worry if you dont have
experience or the technic
AKKRAAK -film Susanne Dzeik & Kirsten
more information about the filmmakers:
Susanne Dzeik and Kirsten Wagenschein are independent filmmakers, working
together at the berlin videocollective AK Kraak since 1993.
Starting with a videomagazin about the squatting movement, we did produce
mainly about the antiglob
movements in latin america.
Marcio Geronimo works with the videogroup aTreVer! in Rio de Janeiro about
Marcio Geronimo lives in the Favela Manguinhos in Rio de Janeiro for 20
years.Since 2004, he works in the Videocollective aTreVer as a coordinator,
which he founded. ATreVer produces videos about the live in the favelas with
its diverse faces.
Marcio Geronimo is part of the network in
the favelas against police violence.
ABOUT WALLS IN FAVELAS (62 min)
'I watched the bodies being dragged down from our neighbourhood. They were
wrapped in blankets soaked in blood. When I
happened after the murder of my son.'
Marcia lives in a favela in Rio de Janeiro. Her son was murdered by the
police. He was one of the 1194 people who where killed in 2003 by the police
of Rio de Janeiro. The victims are mainly young people- black and mulattos,
from the poor areas. The police of Brasil are notorious for the extreme
violence in trying to keep order for the state.
The documentary, a German-Brasilian co-production of the video collectives AK
KRAAK (Berlin) and aTraVer (Rio de Janeiro) gives a voice to the inhabitants
of the favelas. They t
BERLIN KÖPI PUNK
Since Froidl was in
Don Chaos Adventures in
Videodocumentation about one artist in iron
armadur and mediev
Don Chaos japanese C
Don Chaos was 8 years long a student of the
EUROPACINEMA AWARD FOR THE BEST DOCUMENTARY
No more war!
That's what The Living Theatre has
RESIST chronicles the history and mission behind The Living
Theatre, one of the most significant companies in the history
of American theatre and the avant garde. Established in 1947 by
Julian Beck and Judith M
For over 50 years, the controversi
Today their collective creations are performed in unconvention
RESIST is a poetic and politic
"A stirring testimony to the renegade spirit of Julian
Beck, and to the few places where soci
"Like most people, I assumed that Julian Beck's Living
Theatre was as dead as bell-bottoms with kick pleats, but this
"Stimulating and uplifting! The story of this
remarkable ensemble company and its charismatic leader Judith M
"Beyond transmitting the important message of peaceful
resistance, RESIST is a v
** 2003 Europa Cinema Award, Best Documentary
A Film by Dirk Szuszies
Directed by Dirk Szuszies &
Starring Julian Beck, Judith M
Narrated by Dirk Szuszies
Produced by Eric Van Beuren (Belgium/Germany)
Screenplay by Dirk Szuszies
Photography by Dieter Vervuurt
Edited by Alain De H
Music by Carlo Altomare, Patrick Grant, & Andrea Liberovici
Running Time: 90 min.
ART OF THE INVISIBLES
the name NON GRATA there have been different hushes and sushes
a long time. Already from the point of view of death of convention
of art it has embodied the horrible and unwanted disembodiment of human
person, from which the meaninglessness of nowadays art, is pouring out. For
those, whose world of arts starts from the point, where the art world ends, NON
GRATA has been a liberator, the orphic gap in the seemingly un
which however betrays us, it is a cure from insest. The main point of the group
creativity. The performances of the group take p
logic of avoiding codes. The presenatations are physic
orthography and reading are kept within limits of re
where tha Art World doesn´t work.
1.2.Doctors of the Universe 2004
1.4.DER FREIE WILLE 2005
REMO RANDVER & VILLE-KAREL VIIRELAID (EESTI)
Arkadi Plastovi nimelise neokommunistliku
rühmituse "Fashist lendas üle"
film "Must Kohver".
Näitlejad: Rodrig Kokla, Liivi Tanta
min. low budget film suletud süsteemistekkivatest
rollimängudest suletud vaimuhaigla keskkonnas tota
Sepp, Remo Randver, Sandra Jõgeva, Hip Hop, Kiwa, Mari Kartau,
Tanel Saar, Ville-Karel Viirelaid, Rauno Teider, Tuuliki Avango,
Bille Neeve, Margus Sorge Tiitsmaa, Taje Tross, Taave Tuutmaa
The story about yellow wolfman NEW EDITION, SOHRTER BUT BETTER!
Action: Yellow Wlofman alias Andrus Joonas
Camera: Non Grata
Editing: Remo & Ville-Karel
CLEANNESS AND DISCRETION
Performed at Performance Week, KU Gallery, Tallinn, Estonia, July 2nd 2004 and performance festival
Time.Space.Movement: unplugged, Paide, Estonia, July 10th 2004.
Camera: Non Grata, Nigol Sobolev, Margus Kiis, Rauno Teider
Music: Manic Street Preachers Stay Beautiful
LOST IN STRUCTURES
Performed at Performance Week, KU Gallery, Tallinn, Estonia, June 26th 2004 and Gwangju Biennale, South-Korea,
September 13th 2004.
Author: Mari Kartau alias Siram
Camera: Non Grata
Music: KiWA Ajud Tünnis, Repliik
DZIUGAS KATINAS (LEEDU)
Water (6 min)
Film by Junko Iga and Dziugas Katinas.
Script - Junko Iga, Dziugas Katinas,
Camera and editing Dziugas Katinas.
Cast Junko Iga.
Sound: Antanas Jasenka.
Story description - synopsis:
Why I've got crying
I waw near the water and frightened fishes
I wanted them back, but they didn't come
Then I swam for excuse and drowned
music consists from two parts: Out In and In Out.
Music: Antanas Jasenka Animation: Dziugas Katinas
Finished in 2005.
The animation is in progress, so by now duration is arround 40 min.
The project will be 2 hours electronic music DVD with computer animation, which will be printed after New Year in Lithuania.
journey, way, movement structure has no end as well as the final
goal or aim. No target, no South or North. We are everywhere and
nowhere. The gross matter, human - maschine, sound, visual have
rudiments of thinking which lead us nowhere, have no
dramaturgy, simmilar to the state which have no time dimension
and eternal. There are no direction, which could be more
important, than antidirection, so the left is space - body,
spirit - condition. Body is space, vector of live being and dead.
Boarding Pass is the ticket to nowhere for nobody. Stop time,
JELENA VESIC (SERBIA) PRESENTS:
AV-WORLD OF BALKAN
BJÖRN FREDERKING (SAKSAMAA)
Der Unbekannte 2004 (2 min)
Similar 2003 (2 min)
Only one artist hides behind the pseudonyms
E-crow and Strahler: Björn Frederking.
He started to make music in 1988, during the first time in band-projects, but since the middle of the 90's he preferred to do his experiments with sounds
You can follow this process listening to the "E-Crow electronic listening compilation 95-98". The wide range of different compositions shows the development. Every new step required a changed or new definition and
The tracks which came into being during three years in a studio in the bavarian "Outback" are characterized by tricky beats, warm sound shapes and Björns manic love for the equipment which causes often surprising results. Their harmony and atmosphere are disturbed by deliberat breaks and especi
The track "Elektronisch" is a speci
MÜVESZWTI MEDIA MÜHELY (Ungari)
CarToon OR Animation:
Best of 2004
QUEER FEMINISTS: RENATE LORENZ & KARIN MICHALSKI (SAKSAMAA)
clipclub - feminist & queer films and barkarin
fon/fax 030-624 34 27 karinmich
(Germany 2003, 28')
& Camera: Karin Mich
SynopsisPashke (62) lives as a "sworn virgin" since s/he was thirty what means that s/he lives the soci
COPY ME - I WANT TO TRAVEL
A FLM BY PAULINE BOUDRY, BRIGITTA KUSTER, RENATE LORENZ
GER 2004 BETA SP 4:3 COLOUR MONO 68 MIN
DIRECTORS. CAMERA.SOUND. EDITING
& zdf / arte
zdf / arte
copy of which the film is t
in the Cold War. Unoffici
particular was created in
production of the copy women took on a speci
during the transition from soci
we have been developing common work at the intersections of art,
theory and film. Centr
collective desires were
better, if they work for an American or German company. Many of
the women we were searching for
three women filmmakers and three women computer speci
tells his story through conversations with Plamen Vachkov, the
former managing director of the Pravetz factory, with Doriana
fact that the filmmakers view of the images of the cold war
The music for the film was produced by rhythm king and her friends.
atelier europa, kunstverein munich
music/videoclip. 3, 2004
video for the rhythm king and her
die deutschlandtür geht auf und
gleich wieder zu
performance, volksbühne berlin,
blaumann / blue collar
video, 15, germany 2000
reproduktionskonten fälschen /
exhibition, ngbk berlin, 1998
copy me i want to travel is our
first feature documentary.
Piret Saarepuu presents:
Currently there are 25 people working for studio Nukufilm , most of whom are qu
+372 6414 307
Fax +372 6414 307
Niine 11, 10414,
"PÕRANDAALUNE"Mati Kütt, 1997, 12 min
Multiplying the existing point of view the actu
Olev ühtsus näib ebaühtsena vaatepunkti multiplitseerides.
"PAPA CARLO TEATER" Rao Heidmets, 1988, 9 min
"ELUTUBA" Rao Heidmets, 1994, 10 min
Film about conflict between young and old generations. In this animated film with live actors the protagonist is a girl, who is brought up by her grandfather. he lives in a strictly regulated world where animate as well as inanimate creatures have fixed places, which are marked by ch
A film about the influence of society on the life of an individu
ERNEST TRUELY (usa)
"Ernest Truely's Bare Bottom Spanking for Salvation" (1992) 15 minutes. Rock-u-mentary about my faith healing performance activities in Washington and Oregon in the early nineties.
" The Grudge " (1999) 8 minutes The Grudge is a narrative about a small group of friends growing up in a small town. Drugs, greed and a narrow world view leads to murder.
Smoker" (2000) 7 minutes Award winner Northwest Film and Video Festival, Portland
Oregon (press available)Documentary
style film shot on the day whent local laws went into effect banning smoking from
all public buildings
except taverns. The camera records real peoples reactions as the protaganist
continues to smoke
in public buildings.. Original soundtrack by Benjamin Arthur Ellis.
Kim KANG presents: Orient Settings
Korean Film List
?Director : KIM Kang
?Duration : 7m 17s
?E-mail : parasolhs@yahoo,fr
? <Play at
?Director : KIM Youn Hoan
?Duration : 15m
?E-mail : firstname.lastname@example.org
? <Where am I ?
?Director : YONG Hae Sook
?Duration : 4m 30s
?E-mail : email@example.com
? <OASIS In seoul
:Covered Wagon of Art-OASIS, >, 2005
?Director : LEE Hyun Jeong
?Duration : 11m
?E-mail : firstname.lastname@example.org
?Synopsis : The Covered Wagon of Art- OASIS is the alternative artistic space in the street where the art and the everyday life merge with. It's the artists platform on which art, music, poetry, literature, independent film, documentary film, performance, dance, etc, all kinds of artists come together for exchange esprit and experiment artsitic.
? <Rip it up!>,
?Director : LEE Mario
?Duration : 45mm
?E-mail : email@example.com
The system of resident cards in Korea results from the unique situation of the Korean peninsula, the division of South and North Korea. This system violates human rights severely by compelling civilians to have individual numbers and forcing the stamping of ten fingerprints, which is the normal procedure for criminals in western society. It is another face of the 'Big Brother' in '1984', George Orwell's famous science fiction novel which was subsequently made into the well known movie ofthe same name. However, the argument of the South Korean Government is that such a system is necessary because of the division of Korea into north and south. This has persuaded people to accept this system without question. In this work, I would like to raise the problems of this system of resident cards, which internalizes both Fascism and a surveillance system.
?Director : Ann Hyun Suk
?Duration : 3m
?E-mail : firstname.lastname@example.org
?Synopsis : <Life-Entertainment-Film>
There is not any problem of clear rule and result of game between man and woman. We know this by that the relationship between two sexes is totally competitive, but sometimes amiable. The concern of the author is to investigate diverse sides of human relationship by the form of game. We can read her message that the relationship among people doesn't decide by just one side, we should live all together in this situation even though we are constantly contradictory, and the character of the relationship among people should continue to explore.
Author Ann's narration is a expression to put down fire by fire by the established space. Afterwards, she acquires a circulating space. What she is trying to say is that, in other words, human reaches dissolution and destruction sneering instituional wall of a false and conflict, but the power of dissolution and destruction rise from simple and repeating action which trying to escape from meaninglessness, and finally human is in this circulating space of remodeleing.
?Director : HONG Hyun Sook
?Duration : 2m44s
?E-mail : email@example.com
?Synopsis : Outside the circuit of the watching act toward the body of self and others, there is a bodys metabolism or the regimen of flesh, skin, and hair. To the eye of an enlarged eco-feminist, the water sprinkled upon hairs is not just a metaphoric one through similarity in form. It is the actual water that makes hairs grow. The grass is identical with hairs, but just having a different name. It is not a world of poor ambiguity, but a world of abundant certainty. by Park, Chan-kyung (Critic, Director of Alternative Space FULL)
? <3 Open up>,
?Director : RHO Jae Oon
?Duration : 3m50s
?E-mail : firstname.lastname@example.org / www.vimalaki.net
? <Bush it >,
?Director : RHIE Joong Jae
Feminist Artist group, 2001
(Ru-Jun Hwa, Yun-Hee Su, Jae-Mi Ran,Kwak-Eun Sook, Kim-Myung Jin,
Ha-In Sun, Woo-Sin Hee, Jung-Jung Youb)
?Director : Kim-Myung Jin
?Duration : 12 min
?E-mail : email@example.com
?Synopsis : Made up of 8 womens, the feminist group IPGIM plans a feminist art festival in the form of citizen participation.
The JongMyo Civic park is a place endowed with the gravity of Confucianism and the significance of patriarchy.
IPGIM takes the point of the past and of the dead who performed religious rites there.
With the theme of the birth of life from a woman's womb, IPGIM plan the "A-Bang-Gung JongMyo Seized Project"
which addresses the contemporary significance of JongMyo.
However, on the day of the event, the exhibition is obstructed and dissipated through the force by Lee Clan Family Association and Confucian party.
Even though IPGIM's festival is not held on that day, IPGIM united with feminiat, culture, and art groups plan to hold women's cultural festival, whereby all the ''bad women" will conduct a streeet march
in exactly one month later, on OCT.29 2000, at th JongMyo Civic park.
The series of performances will vividly convey the violence of patriarchy
that is stubbornly extant even now, and the images of the women who
stand against it.